Friday, April 4, 2014

The Halls Hill Labyrinth, Jupiter

A beautifully enhanced image of the planet Jupiter showing a swirling cloud layer of ammonia crystals
It is Spring and I am back on Bainbridge Island to resume work on the Halls Hill Labyrinth.  Last fall I completed 6 of the 11 circuits.  I started with the outer rings, and they make up the majority of the project since the circuits get smaller as I work my way towards the center.  The outer circuit, the 11th is dedicated to the full moons of the year, and I call it the Lunar circuit.  The 10th circuit has 108 stones arranged like a Tibetan prayer bead necklace, so I call it the Mala circuit.  The 9 rings leading to the center are dedicated to the 9 planets, starting with Pluto (yes, I know Pluto was downgraded from planet status).  The planets are named after Roman Gods, except for Uranus.  Roman worship borrowed heavily from Greek religious traditions, so there is usually a Greek equivalent to every Roman deity.  Pluto was first Hades.  Neptune was Poseidon.  Uranus is the only planet named after a Greek God, the Roman name being Caelus.  Saturn was Cronos, Jupiter was Zeus, and Mars was Ares. Earth was Gaia in Greece and Terra Mater (Mother Earth) in Rome.   Venus was Aphrodite, and Mercury was Hermes, and the sun was Helios and Apollo.

A magnificent bronze statue believed to be Zeus hurling a lightning bolt dating from 460 BC at the National Archaeological Museum in Athens
The 5th circuit, which I am building now, is dedicated to the planet and God Jupiter.  Jupiter is the largest planet in our solar system, being approximately 1,400 times the size of our planet Earth.  It is the third brightest object in the night sky after our Moon and Venus, and at its brightest can even cast a subtle shadow on the ground. The Romans named the planet after the King of their Gods.  The majority of the planet is made up of layers of hydrogen and helium gases.  The cloud layer that we see on the surface of the planet is a relatively thin (about 50 kilometers deep) layer of ammonia crystals, and may contain a layer of water, as powerful lightning activity has been observed that would most likely be caused by water's polarity.  The intensity of these lightning storms is estimated to be 10 time greater than anything ever recorded on Earth.  As water vapor rises to the outer layers of the atmosphere it freezes, and the ice crystals rub against each other creating an electrical charge that is discharged through lightning.

Lightning captured on Jupiter by the NASA spacecraft New Horizons

Jupiter is the Roman incarnation of the Greek God Zeus.  He is a God of the sky, lightning, thunder, and justice.  He is often depicted clutching a lightning bolt ready to hurl it Earthward.  Lightning is a phenomenon that could easily inspire divine explanation.

Jupiter depicted in a ceiling painting I photographed in the Louvre in Paris

The Eagle is associated with Zeus, and Bald Eagles land here in the tallest trees from time to time.  I love hearing their distinctive cry and have seen them soaring overhead while I work on the labyrinth.  I have heard that with the building of new homes on the island that trees traditionally used as nesting sites by eagles year after year have recently been cut down.  There is great wealth on Bainbridge and lots with views of the water are increasingly more rare, so the impact of new building on less accessible sites tends to be greater.  Our natural systems are being impacted at an alarming rate.

200 AD Roman floor mosaic depicting Zeus as an Eagle, snatching Ganymedes.  Museum of Archaeology, Thessaloniki

This winter I visited several islands in Greece, including Crete and Naxos.  Both islands are mountainous, and I climbed up to caves on each that are related in mythology to the life of Zeus.  The cave of Ideon Andron on Mt. Ida, south of the city of Rethymno on the island of Crete, is according to legend one of two possible birthplaces of the baby Zeus.

The Ideon Andron Cave, one of the mythical birthplaces of Zeus, on Mt. Ida, Crete
Sired by Cronus (Saturn), and birthed by the Goddess Rhea,  Zeus was destined to be eaten by his father, like his siblings were before him.  Being Gods, the family role call of Cronus' offspring is significant, including Hestia, Demeter, Hera, Hades and Poseidon.  Cronus had heard in prophesy that he would be deposed by one of his own, like his father Uranus, who'm he castrated and dethroned.  But Rhea wasn't going to have it this time so she wrapped a stone in swaddling and offered it up, and it seemed to pass the culinary needs of a distracted God.  Zeus was squirreled off to be raised in a secret cave on either Crete or Naxos.  Though the myths vary, he was said to have been raised by the Nymph named Adamanthea, and fed by a goat named Amalthea, who nursed him from his magical cornucopia horn.  To mask the divine baby's cries and avoid discovery, a band of Demigods called Kouretes clashed their spears against their shields to drown them out.  Excavations at the Ideon Andron Cave on the flanks of Mt. Ida yielded a treasure trove of offerings related to the cult of Zeus, including a bronze drum depicting winged Kouretes beating their shields while a triumphant Zeus flings a lion over his head and straddles a bull in the center.

8th Century BC Bronze drum depicting Zeus and Kouretes, from the Ideon Andron, Museum of Archaeology, Herakion, Crete
After his birth, some versions of the Zeus myth say that he was taken to the island of Naxos to be raised in a cave on the flanks of Mt. Zas.  Zas is the tallest mountain on the island and bears a form of his name.  I was the only one on the mountain the day I hiked it and it was a magical afternoon spent spelunking without a flashlight and and looking for stones to make little lightning bolts with.

Zeus, in retribution for his father having eaten his siblings, dethroned Cronus and caused him to vomit up the family.  Afterwards he became the supreme deity to whom all others worshiped.  

Zeus was a ladies man, and had a jealous wife, the Goddess Hera.  He sired many children with Goddesses and mortal women, many of whom were cursed and put to great tests by Hera.  The list is stellar.  Athena was born when Zeus's skull was split to relieve the worst of headaches after he had swallowed Athena's Mother, Metis.  The twins Apollo and Artemis (Diana), were birthed by Leto on the island of Delos after a curse from Hera that made it impossible for her to give birth in any other terrestrial place.  A tryst with Maia produced Hermes.  Hera had six children with Zeus, including Ares (Mars), Hephaestus, and Hebe.  Mnemosyn, the Goddess of Memory gave birth to the 12 Muses.  One of Jupiter's Moons is named for the Muse Aoide.  Dionysos fetus was stitched up in Zeus leg after his Mother, Semele was incinerated when she made Zeus promise her a boon, and she asked to see him in his divine form.  He attempted in vail to minimize his appearance to spare her, but he had promised with an oath made on the River Styx and was committed to fulfill it.  All in all he sired more than 40 divine offspring and a large number of mortals, including the mighty Heracles (Hercules).

Lighting bolts I made and left outside the entrance to Zas Cave, Naxos, Greece

Zeus had many rolls and aspects as a God.  He was the King of the divine pantheon that resided on Mount Olympus.  He continued to be the King of Gods in Rome as Jupiter, and the most important oaths of honor were made in his temple.  The Jupiter Temple at Baalbak in Lebanon was the largest temple in the entire Roman empire, with some of the largest known blocks of stone ever hewn, weighing 60 tons and more.

The Jupiter Temple at Baalbek, Lebanon, the largest in the Roman Empire
Me standing on the World's 2nd largest known hewn stone at Baalbek, Lebanon
The Roman Emperor Hadrian completed what would become the largest temple in Athens, the Temple of the Olympian Zeus.  Begun in the 6th Century BC, it was envisioned to become the greatest temple in the ancient world.  The King of Gods and Man was given the highest level of respect by the ancient Greeks and later the Romans.  By honoring Jupiter more than any other empire, Rome could claim divine supremacy over it's realm.

What remains of the great Temple of the Olympian Zeus, Athens, Greece
With all that in mind, I packed up my tools and returned to Bainbridge Island on March 23rd, the 3rd day of Spring.  I had hoped to be there earlier to mark the Vernal Equinox but the lovely apartment that I stay in wasn't available at that time.  It was a beautiful day with ample sunshine for the drive up.  I stopped at the beach in Purdy and the tide was out in the late afternoon so I collected a couple of 5 gallon buckets of stones.  When I arrived at the site I went immediately to work clearing loose stones from the area where I would resume building the path that leads to the center.  Because the 5th circuit turns and runs to the center I started at the bend from the 6th circuit in the northern Cardinal point.

The Labyrinth as it looked on my return on March 23rd
The next morning a pallet of mortar was delivered along with 10-20 foot sticks of 3/8 inch rebar.  And so the toil of building the Labyrinth resumed.  I built the bend and made my way from white stones in to silver stones.  This is the next set of turns inward from the 'Clouds of Heaven' that I built last fall between the 9th and 8th circuits.  Finding white stones is becoming more difficult in the right shapes as I have picked up most of what is available on the beaches that are close by.  Winter waves have turned the beaches and revealed new stones but I have to work harder to go further down the beaches to find the colors I need.

Today I had a visit from a lovely woman named Angie, for whom I dedicated the first of a series of simple 'lightning bolts', that I am incorporating in to this circuit as a symbol of Zeus, the God of lightning and thunder and storms.  In return I asked her to go and turn the prayer wheel and send an intention out in to the World.

Angie visits the Labyrinth
Angie's Lightning bolt (they tend to be very subtle when made of beach rock)
The next visitors were a family out enjoying the beautiful weather.  When people ask about the project I tell stories about the meaning of the various colors and circuits and what a Labyrinth is used for.  It will be so interesting when people actually start to walk it.  I find Americans to usually be very impatient, and walking this will require a fair amount of patience and time.  Some people just walk by and don't say a word, others come on a regular basis to show friends and to see the progress.  Some tell me they have been coming on a regular basis all winter just to gaze upon it.

My good friends Trish and Thane from Portland came by on their way back from Anacortes to see the project.  I love that friends find their way to this rather remote location in their travels to see what I am up to.  I made a special lightning bolt to commemorate their visit.

Friends from Portland visiting the project

Turning from the 6th circuit to the 5th at the Northern cardinal point
From my bag of select stones that I brought back from Greece I made a lightning bolt using the small slivers of stone I had collected at Zas Cave on the island of Naxos.  The link between the sacred places I visited in Greece this winter and the Labyrinth form a physical link between the Labyrinth and Greek Mythology, which I have been studying a great deal lately.
A lightning bolt made from stone shards I collected on Mt. Zas on the island of Naxos, Greece

I worked my way around to where the 5th circuit turns and runs straight to the center of the Labyrinth.  A section of the path in line with the entrance path parallels the one leading to the center, which represents the sun.  These straight paths are made of yellow stones since they are aligned with the east, and yellow is the color for the east in Native American medicine wheel diagrams.

The paths turn towards the center in the East
These paths bisect the Mars, Earth, and Venus circuits, and then the one centered on the east west axis connects to where the Sun disk will be at the center.  The path next to it connects to the Mercury circuit, and turns and goes part of the way around the Sun.  Once you reach the center it is traditional to walk back out following the reverse route.  If done with intention, this walk should be consciousness altering, if only for having exercised the patience needed to do so, but hopefully with so much more.

The next day was epic for its rainbows.  They lasted for at least an hour, arching across the sound while I gathered another 400 pounds or so of rock.  The tide is out in the afternoon so I am gathering what I need to make my way through each band of color during that time.

A brilliant full spectrum rainbow 
It is a constant search to find the right shapes and sizes of stones in 12 colors I'm using, and the graduations in between.  I will have collected more than a ton by the time I finish the 5th and 4th circuits.

The day's pickings
Later, a very fashionable girl named Ava brought her parents, Lori and Farrell to see the project.  I told them about the community circuit that I will be building, the 3rd from the center where the Earth would orbit the Sun, and how people were bringing stones they had collected to contribute to it.  Enthused by the idea, they returned the next day with 3 buckets of beach rock, most of which had well chosen shapes I could use.  This doubled the amount of stones that have been left by people on a boulder by the Labyrinth over the winter.  I will build that circuit when I return in the middle of April.  Now that I am back on the site, more stones for the Community circuit have been showing up every day.

Ava, Lori, and Farrell
Later in the evening, Barb, who lives below the park came by with her two dogs.  We talked about the Labyrinth as a place of contemplation and soul searching, and the idea of it being a portal or link between realms of existence.   The is solace to be had here.

Barb and her sweet dogs
I worked my way around from Spring in to Summer, using up most of the pink and red stones that I had on hand.  I am always looking for these colors as they are not so plentiful.  I've incorporated a number of wave tumbled red bricks in to the red areas due to the rarity of flat red stones.  I left a gap at the Western cardinal point for turns that will connect to the 4th circuit, where brown then transitions to orange.  This is the direction of the Autumnal equinox.

The Jupiter Circuit, the 5th
On March 29th, I worked my way from orange in to black, mixing in stones where both colors are blended.  Then I transitioned in to white, and completed the loop in the North across from where I started when I returned to the island a week ago.  It rained all morning so I had to put my tarp up over the frame I have set up for shelter.  I'm able to walk the frame around like a spider to keep the areas I am working on dry.  Fortunately I haven't had to work under the tarp a lot because it is darker and kind of moody when it is up.  If it looks like it won't rain for a while I take the tarp down.  But it was up for the completion of this circuit as the rain came and went, and the sky grew dark.

Subtle zig zags of stone honor the God of Lightning and Thunder
Just as I was setting the last stones in the bend from the 5th to the 6th circuit, a dramatic bolt of lightning struck the water out on the Sound.  I could see the flash through the trees and thunder rumbled past a few seconds later, so it was very close.  Zeus had spoken!  I let out a whoop.  About 5 feet away from where I was sitting is the lightning bolt made from the slivers of limestone I brought from the Zas Cave on Naxos.  The electric connection between Heaven and Earth is buzzing through the Labyrinth now in the Jupiter circuit, and there is great magic in the World.

Thanks for reading, Jeffrey

With the Jupiter circuit complete, there are four circuits and the center remaining to be built

Saturday, March 8, 2014

The Minoan Labyrinth

Labyrinth patterns were stamped in to the coins of Knossos, from the Archaeology Museum, Heraklion, Crete
One of the main reasons I came to the island of Crete this winter was to visit Knossos, the ancient Minoan Citadel near the island's capitol city of Heraklion.  This was the mythical site of the famed Labyrinth of the Minotaur.  Minoan culture dates from the Bronze age and is the oldest known advanced civilization in Europe.  The palace at Knossos went through many incarnations over several centuries and developed in to a great citadel with spacious courtyards and a complex arrangement of rooms on several levels.  The elaborate layout of the buildings may have inspired the idea of the labyrinthine concept due to a seemingly endless number of rooms and corridors at a time when the rest of Europe still resided in simple dwellings.
An artist's rendering of what the palace at Knossos may have looked like
There is however no actual known remnant of any kind of labyrinth on the island of Crete other than depictions on coins and ceramics.  The Labyrinth insinuated in frescos was a kind of 'dancing ground' where rituals probably took place.  So it is possible that a labyrinthine pattern may have decorated a spacious courtyard in the palace where it is hypothesized that these events took place, but there is no physical evidence of this today.

A Minoan woman depicted in a fresco from the palace at Knossos
The word Labyrinth is derived from the word Labrys, which was a Minoan word for a double edged ax, a royal symbol associated with creation, and a Goddess that was the protectress of the palace. Depictions of double edged axes were found in the excavations at various Minoan palaces in different parts of Crete, but it is assumed that Knossos was the main center for the civilization, from which the great King Minos once reigned.  The suffix -nth insinuates a palace, therefore, the word Labyrinth can mean the Palace of the Double Ax.    Double Ax symbols have been found in excavations of other ancient cultures that would have had influence on the Minoans.  I must note that the name Minoan was the invention of the colorful archaeologist Arthur Evans who led the excavations at Knossos, and that much of what we consider to be historical fact is the highly interpreted vision of this man and other modern scholars.

A palace hall recreated by the archaeologist Arthur Evans at Knossos
The most famous myth related to Minoan history is that of the Minotaur.  The story goes as this:  King Minos had promised to sacrifice his most beautiful and prized white bull to Poseidon, the God of the Sea, but spared the bull and sacrificed another in its place.  Poseidon's revenge for King Minos rejection of the chosen sacrifice was to have the Goddess Aphrodite cause the King's wife PasiphaĆ«, the daughter of Helios, to fall in hopelessly in love with the bull.  Daedalus, the court architect designed a wooden bull for her to hide in so that she could entice the bull to make love to her.  She was impregnated and gave birth to the the terrifying half man/half bull, the Minotaur.  In order to hide this fearful creature, who fed on humans and wreaked havoc on the Minoans, King Minos commissioned Daedalus to design a labyrinthine palace from which the Minotaur could not escape.

A bull sculpted in stucco relief excavated from the palace at Knossos
During a time of drought in Athens that was said to have been brought on by the murder of King Minos son in an act of jealousy due to his supremacy in the Panhellenic Games, the Athenians to the north asked the Oracle at Delphi for consul, and were told to pay homage to King Minos on Crete.  Minos, an offspring of the God Zeus then asked that every seven or nine years, the Athenians provide seven young men and seven maidens from noble families to be sent to Knossos to be sacrificed to the Minotaur.  It was at one of these cycles that Theseus, an Athenian Prince was selected to make the journey to Crete with the other youths, vowing to his father, King Aegeus to slay the Minotaur.

Statue of the Minotaur found near the Acropolis, Athens
The Princess Ariadne, the beautiful daughter of Minos and PasiphaĆ«, and therefore a half sister to he Minotaur, held the keys as the keeper of the Labyrinth.  In fashion popular to our archaic desire for idyllic scenarios, she fell in love at first sight with the handsome and valiant Theseus on his arrival on Crete.  From the architect Daedalus, she learned that the only way to escape the complexity of the Labyrinth was to return via the same route.  Daedalus gave her a ball of silken yarn, which she then gave to Theseus so that he could uncoil it as he made his way to the Minotaur and then follow it back to the entrance.  This ball of yarn was called a clew, from which the word clue was derived.

A 5th Century BC Vase depicting Theseus slaying the Minotaur
So with the great sword of King Aegeus and the clew thread in hand, Theseus and his comrades were able to enter the Labyrinth, slay the Minotaur, and find their way back out.  I have read that this tale may have been conceived as a way to assert Athenian superiority over the Minoans through myth, by overcoming their most powerful entity.

Attic Period ceramic Krater vessel found on the Acropolis, Athens depicting Theseus wrestling the Minotaur
Theseus then escaped to the beautiful Island of Naxos with Ariadne, birthplace of the God Dionysus.  When Dionysus, who was often philandering with Satyrs saw the princess sleeping, he fell in love with her, depending on the multiple versions of this story to be found.  He appeared to Theseus in a dream and convinced him to return to Athens without Ariadne, and Dionysus married her shortly afterward.

A beautiful floor mosaic from Thessaloniki depicting the scene of Dionysos discovering the sleeping Ariadne
There are many depictions of Theseus being led to a ship by Athena on Attic Vases, leaving Ariadne to her divine consort.  This version of the story would absolve Theseus from being a deserting cad.  The fate of Ariadne after this time has elements of tragedy, as some say she never recovered from the loss of Theseus, but in the loftiest tales she was deified by Dionysus and transported to the Heavens, where her  jeweled garland sparkles as the 9 stars in the constellation Corona.

The Goddess Athena awakens Theseus and commands him to abandon Ariadne as she sleeps
On returning to Athens, Theseus was supposed to raise white sails on his boat if he had been victorious and black sails if he failed, but in his distracted state at having abandoned Ariadne, he forgot to switch the sails.  His father, King Aegeus, seeing the black sails from a tower, threw himself to his death in the sea, which now bears his name, the Aegean.  His son Theseus then ascended to the throne as the King of Athens.

A statue of Theseus in Thision, Athens
Historically, Labyrinths come in two types, one that is Multi-cursal, like a maze, with multiple dead ends meant to complicate escape, and Unicursal, where the entrance leads through many turns, eventually to the center in a single path.  There is no known archaeological record of a Labyrinth at Knossos or at any other site on the island of Crete, but depictions are found on coins and in literary accounts.  Some had multi-cursal designs but unicursal ones predominate, even though the Labyrinth that was built to contain the Minotaur was obviously intended to be inescapable.

Coins stamped with Labyrinth designs found at Knossos, Crete
Round labyrinth petroglyphs have been found that date to the Bronze Age, around the time when Minoan society on Crete was flourishing.  The oldest known petroglyph of a labyrinth is carved on a seaside stone at Mogor, in Galicia, Spain and is estimated to be about 4,000 years old.

The Mogor Labyrinth Petroglyph, Galicia, Spain dating from about 2,000 BC
Depictions of labyrinths continued to appear on coins, and painted on ceramics, and later in elaborate mosaics and paintings on Roman floors and walls, commonly in a square architectural form.  Many were large enough to walk on, leading to the idea that they may have been used as a meditative or ritualistic path.

2nd Century AD floor mosaic labyrinth with Theseus slaying the Minotaur in the center, Kunsthistorisches Museum in Vienna, Austria
The oldest known Medieval pavement labyrinth, dating from the second decade of the 13th Century, is set in the floor of the Chartes Cathedral near Paris, France.  It is an 11 circuit design that is considered to be the classic format for modern labyrinths being built in America today.  Labyrinth aficionados flock to this cathedral to walk the labyrinth when it is accessible.  Unfortunately when I was in Paris at the beginning of December the Labyrinth was covered with church pews for the holiday concert season and I was unable to see it.
Chartes Cathedral Labyrinth
This 11 circuit design is the one that I have used to create the Halls Hill Labyrinth that I am building on Bainbridge Island in Washington State.

I traveled to Greece not only to visit the home of the fabled Labyrinth at Knossos but also to collect stones to incorporate in to the remaining circuits of the Halls Hill Labyrinth that I have yet to complete.  Because the 9 inner circuits of the project are dedicated to the nine planets, which are named after Roman and Greek Gods, I have also been visiting sacred sites in Greece where the Gods were believed to have been born or resided.  I returned from my trip with an interesting assortment of stones that I felt embodied the essence of the places from which they came.  It is my intention that by incorporating them in to the mosaic that they will form a connection to the divine energy of these myths that offer a means of explaining our relationship to our universe.

A contemporary mural in the National Museum of Archaeology in Athens depicting the divine work of artisans
While on Crete I also visited the archaeological site Phaistos on the southern coast, where the ruins of another great Minoan palace complex are located.

The Propylea, or main entrance to the New Palace at Phaestos
This site is best known for the Phaistos Disk, a round fired clay disk dating from the Middle or Late Minoan period of the 2nd Millennium BC.  The disk is imprinted on both sides in a spiral stamped in a clockwise direction with a total of 241 indentations of 45 different symbols that would indicate a kind of script.  The meaning of the symbols has never been deciphered as there are no other known examples to compare them to.  The symbols were made by stamping small carved seals in to soft clay and then fired in a kiln, making the disk the first known work of 'typography'.

Photographs of both sides of the Phaistos Disk from an interpretive sign near where the disk was found
The spiraling layout of the symbols bordered by a line mirrors the spiraling forms found in Nature, such as the universe itself, turning and expanding outward at the same time.  The circular labyrinth that I am building is essentially a path turning round and round leading from the outside to the center and then back out again in a kind of spiral dance.  I purchased a small copy of the Phaistos Disk to incorporate in to the Labyrinth mosaic to represent a connection to Minoan culture and the labyrinth myth.

The copy of the Phaistos Disk at the center of the variety of stones I collected during my travels through Greece
These include pebbles from a radioactive hot spring on the Lesvos, the island where the Muse Sappho lived.  There is one from Nea Moni, a World Heritage Site Byzantine monastery on the island of Chios.  I collected some from the birthplace of the Goddess Hera on the island of Samos, and the capital of the Cyclades island group, Syros.  There are stones from Tinos, which is holy to Orthodox Christians, and Mykonos, and Delos, the birthplace of the God Apollo and Artemis.  Luminous white Parian marble from the island of Paros will gleam in the Labyrinth.  The Venus de Milo was carved from Parian Marble.
A mosaic floor with hunting scenes from the island of Paros
I will make a lightning bolt from shards collected from the Zas Cave where the God Zeus was said to have been raised on the island of Naxos, along with pebbles from the beach of the Delian Apollo, the temple of Demeter, and the Temple to Dionysos, who was born on this island.  Small red pebbles from the dramatic volcanic caldera of Santorini, and a pebble from the burial site of the great Greek writer Homer on the island of Ios will find a special place in the mosaic work.  I spent 3 weeks on the great island of Crete and collected stones at the Minoan sites of Knossos, and Phaistos.  There is one from the beach at Matala where Joni Mitchell inspired some of the song 'Carey' along with others from various breathtaking beaches.
Roman era burial caves at the beach at Matala, Crete
At the end of my trip I visited Pella in Macedonia, the birthplace of Alexander the Great and the site of the world's oldest known pebble mosaics.  At Meteora, the breathtaking mountains in central Greece I collected stones while hiking amongst the incredible cliff hanging monasteries.  And then from Athens there is a bit from the base of the Acropolis.
I must say that I did all of this collecting with the utmost discretion, being mindful not to remove anything that would be disrespectful of the historic integrity of the sites from which they came.  The link between these special places and the Labyrinth project gives me the opportunity to bring it in to the context of my life and the magical adventures that I have been so fortunate to experience.  Its a little bit of Jason and the Argonauts, the epic story which has from an early age been a motivating influence in my desire to be a vagabond, exploring this magical planet on which we live.  Life is in many ways like walking a labyrinth, and it is my intention that the one at Halls Hill Park become the very symbol of everything that is out there waiting for us to be discovered on the path of life.

Thanks for reading my ramblings, Jeffrey

Labyrinth designs have influenced the decorative forms of the borders of many an ancient floor mosaic